Ein Veilchen auf der Wiese stand, Gebückt in sich und unbekannt; Es war ein by Wolfgang Amadeus Mozart ( – ), “Das Veilchen”, K. (). Wolfgang Amadeus Mozart. Das Veilchen, song for voice & piano, K. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Wolfgang Amadeus Mozart: Das Veilchen – Choral collection Mozart / Haydn, vol. IV. Secular choral music for mixed voices. Mozart: 30 Lieder Shop.
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Complete Songs for Voice and Piano. Drinking Hanging Out In Love. In “Das Veilchen” it is a careless girl who destroys a violeta metaphor for a young man’s heart. Best Of Classical Song. There is a modulation to the relative major B-flat major in the latter part of that verse when the violet expresses hope of being loved back, but ending in a falling phrygian lament.
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The Complete Solo Recordings. Then Mozart adds two phrases of his own as a coda; in recitative, in free time and using only two notes: Kennst du das Land: Please provide the translator’s name when contacting us.
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Although the French songs were very popular when written, they have since become better-known in German translation. The Art of Edith Mathis. However, often overlooked is the extent to which the Romantic lied was indebted to a long standing tradition of Germanic song, and specifically the songs of Mozart, Haydnand Beethoven –the authors of the first true masterpieces of the genre.
A th Birthday Tribute. Mozart made a telling addition by adding his last line.
This page was last edited on 21 Augustat Recordings from the Archives. Mozart Collection Box Set. Mozart’s two Italian songs, not surprisingly, resemble operatic arias in their style and construction. Veilchen K; Abendempfindung an Laura K Hansen [ sung text not yet checked against a primary source ] by Othmar Schoeck -“Aus Erwin und Elmire “, op.
The piece starts with a 6-bar introduction of the melody of the first line by the piano. The entry of the shepherdess is marked by a modulation to D major ; this is followed by a four-bar segment which summarises the violet’s happy mood — and a general pause which precedes the mood swing of the second verse, a change of key to G minor to describe the violet’s longing.
The remarkable confluence of music and poetry that appeared in the works of Franz SchubertRobert Schumannand Hugo Wolf made the diminutive lied a vessel for Romantic outpouring and a unique distillation of the Nineteenth Century spirit.
Overtures, Choruses, Arias and Songs. The Best of Barbara Bonney. Laue [ sung text not yet checked against a primary source ] by Wilhelm Rosenberg b.
Music for the Festive Season. Go to the text. Im Grase lieg ich.